Archive for the ‘ Project News ’ Category

We were fortunate to have some friends capture some pictures and video of the 2013 Halloween show over at The Space in Hamden, CT.  You can also check out some videos over at Garrett’s YouTube channel:

OBO will be doing the Thanksgiving eve thang again over at the Lumberyard Pub in West Redding, CT.  We love the Lumberyard!

A few weeks ago I mentioned that Infinitas is finally laying down some real tracks.  Below is the setup I used for tracking the drums…I was fortunate to be able to do this in my living room, with high vaulted ceilings and some nice natural reverb, with 10 mics on Hal’s Tama kit.  Hopefully someone finds the info useful!

I switched over to a Roland STUDIO-CAPTURE and couldn’t be happier.  I’ve used the Echo Layla products for years and had great success, but after needing more simultaneous tracks and having some issues getting two Layla 3Gs to work in tandem, I pulled the trigger on the Roland unit.  It works flawlessly with Cakewalk Sonar and does what any great DAW audio  interface should do in my opinion; stay out of the way :-)

You can hear a sample of the raw unprocessed drums here (bass is a scratch reference track):

CH1: Tom 1
Settings: Gain 2.9 / 10 o’clock, Output 4.5 / 11 o’clock, 90hz cut

CH2: Tom 2
Settings: Gain 3 / 10 o’clock, Output 4.5 / 11 o’clock, 90hz cut, 48v

CH3: Tom 3
Settings: Gain 3 / 10 o’clock, Output 4.5 / 11 o’clock, 90hz cut, 48v

CH4: Tom 4
EV Cardinal –> HHB RADIUS 10 CH4
Settings: Gain 1.9 / 8.5 o’clock, Output 4.5 / 11 o’clock, 90hz cut, 48v

CH5: Snare Top
Rode NTK –> Audient Mico CH1 –> Rane DC24 CH1
Settings (Audient): -20db, 40+80hz cut, Gain 12.5 o’clock, HMZ IN 10 o’clock
Settings (Rane): Gate Thresh 0, Gate Ratio 1.8, Comp Thresh -8, Comp Ratio 2, Limiter +5, Output 0

CH6: Snare Bottom
Studio Projects B1 –> Audient Mico CH2 –> Rane DC24 CH1
Settings (Audient): -20db, 48v, 40+80hz cut, Gain 12 o’clock, Phase Rev
Settings (Rane): BYPASS

CH7: OH 1 (ORTF)
Sahe Audio Little Blondie –> Black Lion Audio Auteur CH1
Settings – 1 o’clock, phantom, pad

CH8: OH 2 (ORTF)
Sahe Audio Little Blondie –> Black Lion Audio Auteur CH2
Settings – 1 o’clock, phantom, pad

CH9: Kick Outer
Neumann TLM 49EV N/D868 –> Avalon VT737SP
Settings – Gain +32, Cut 40hz, 48v, Filter IN, Comp Thresh 15, Comp Ration 8:1, Comp Attack Fast, Comp Release 3 / 9.5 o’clock, Meter IN, Comp IN, Comp IN, Bass +3 60hz, Low Mid -5 Hi-Q 250hz, Hi Mid 0, Treble 0, EQ IN, Out -8

CH10: Kick Inner
EV N/D868 –> Focusrite Platinum Trakmster Pro
Settings – Low Z IN, Preamp 5 / 12 o’clock, HPF IN, Mid Scoop IN, 250hz, Deep IN, Comp IN, Squash IN, Comp Thresh 4 / 10 o’clock, Comp Gain +10

OBO will be over at the Black Bear Saloon again on Friday night, 11/27. It’s an early show from 7-9, so stop on down in SoNo and do some pre-party night with us ;-)

Infinitas…well, we finally have an actual show.  In front of people no less!
The odd/challenging part is that it’s on a Thursday night, on Halloween, at 7 PM in Hamden.  While I have no expectations that anyone can actually make it (I’m worried about getting there in time myself), I’m still hella excited about it.

It’s $7 in costume or $10 non-costume at the door at The Space in Hamden, CT.  There’s general information here:
Doors open at 6 PM, and the line-up is currently as follows:
6:30-7:00 – Deafened By Silence
7:15-7:45 – Infinitas
8:00-8:30 – Thera Roya
8:45-9:15 – Lets Get Invisible
9:30-10:00 – In Honor Of
10:15-10:45 – Set Sail At Sunrise
11:00-11:30 – Epoch Era
If anyone I actually know shows up, I promise to buy you an apple juice or something (I believe The Space is a dry venue).  There’s always the bar next door I suppose ;-)

Yes!!! It’s finally happening!!!  Despite trying to get this off the ground months ago, extensive equipment debacles, life getting in the way and the world being against us, we’ve finally recorded the drum tracks to put an album together!  So far we’ve got the following:

Cellies – 4:42
Jupiter – 2:48
Kuru – 4:34
Lights – 3:46
Obsolete – 5:04
Pitch Black – 5:05
Used – 3:57

You can catch some video of some of the sessions over at Garrett’s YouTube channel:

You can hear a practice sampler of the tracks here:

Very excited to get to recording the geetars and bass…and who knows, maybe even vocals…more stuff in the works!  I’ll try to get some info posted up on the approach and equipment we took with recording the drums as well as some samples.

OBO will be at Bodega in Darien, CT for a “Day of the Dead” show!  Saturday, Nov 2nd  from 8-12 PM.  Come on down and have some fun.

More info here

*** UPDATE ***

Pics from the show over at our Facebook page!

With the recent Musician’s Friend Stupid Deal of the Day, and some coupon incentives, I took the plunge on the Ashdown LB-30.  I had always wanted a low wattage all tube head, and I particularly loved the LB-30 on paper… I just wasn’t going to pay $899!  Now that I have the amp, I can in hindsight tell you that is it in fact worth that asking price, though as a “nice to have” on the G.A.S. calculator, I’d still be waiting or searching for the reduced price I found it at.

So far I think it’s a really cool amp.  It gets much louder than I expected, though I’ve only paired it with 2×12′s so far.  It took me a while to understand the passive EQ section, but now that I’ve got the hang of it, it’s quite fun and interactive.  Despite getting loud and angry, I wasn’t entirely sure it could keep up with a loud, heavy band practice with Infinitas.  Turns out I was wrong!

Granted it wasn’t the sound I’m typically after, but it was still cool. The bass register wasn’t what I’m used to (thinner and tubby, vs. full and articulate), the midrange was very pronounced, and there wasn’t much articulation higher up in the treble range (or at least it wasn’t cutting through, when I was tapping for example).  You can see the settings in the middle pic above.  In fairness to the Little Bastard (that sounds funny, no?), I didn’t spend a whole lot of time tweaking, I was just curious if it could even keep up.  I was running my Warwick Thumb Custom Shop BO 6 broadneck into the High input on the LB-30 and then into an older Genz Benz NeoX-212T.

As a comparison, I typically run my Genz ShuttleMAX 12.0 with this band.  At practice the Shuttle is typically set with the Gain at max on the tube channel, various EQ settings, and the Master at 2.  We’re a 3 piece, not super loud, but not exactly tame either.  Dave (the guitar player) uses a Mesa Triple Rec through a 4×10.

To be able to really punch through, I needed to boost the input.  I alternated between a Fuzzrocious Oh See Demon and a Wren and Cuff Phat Phuk B. If you own a LB-30 and want any kind of grind or overdrive, you owe it to yourself to get a PPB!  It was already one of my favorite pedals, but it has really opened up another world in front of this amp.  Like I said above, the sound wasn’t super versatile, but if you’re playing any kind of aggressive music and aren’t doing any super extended range stuff, it’s a very cool sound.  I really need to try the same thing with a more traditional passive bass, I think it would be killer.

I grabbed a couple of sound clips with my Zoom H2, and wouldn’t you know, I think I’m actually TOO LOUD in the mix!  Check this out from “Cellies”: Cellies-LB30test.mp3

I looking forward to picking up an Ashdown VS-112 to pair with the LB-30 for a more manageable recording volume.  There’s a great overall review of both the LB-30 and VS-112 in Issue 9 of Bass Gear Magazine, I highly recommend it.

Although I’ve been getting stuff done slowly this year with the Presence of Mind project, I haven’t been progressing as fast as I’d like.  This is for a number of reasons, though one of them being a clear plan on WTF I need to do next.  Taking a hint from my own day job, I decided to go full retard and build a scrum board, a tool often used in Agile project management.

So far I’ve managed to get the bass, keys, and drums done for Parts 9-17 (the end).  The drums are complete for Parts 1-8, so I’m currently working on re-learning all the keyboard parts, which I’ll record next.  Then comes the bass, which should be pretty straightforward as I’ve got most of it mapped out already.  For guitars I’m going to shoot to record all the rhythms from start to finish, in hopes of giving it some more continuity (instead of the “reverse” recording I’ve done thus far).  Then I still need to sort out the vocals…it will all get done sooner or later ;)

One Bad Oyster played a show in Wilton, CT in support of the Cord Foundation, dubbed the “2nd Annual Great Wilton Scavenger Hunt“.  The event planner Jeff Snyder is a friend of the band, and his daughter Kennedy has been unfortunately battling spinal cord cancer most of her life.  What a great guy and an amazing little girl.

It was a beautiful day for playing outside.  Despite having them for sale at the time, I decided to bring my Schroeder 1212BMF cabs.  IMO, these cabs cannot be beat for power to weight ratio. It’s laughable as to how loud these things are, never mind that you can carry one in each hand with ease. If you are a 4 string player in any sort of loud, live band, I don’t think you can find a better cabinet for being heard through the mix at any range. That said, I don’t always care for the super focused tone and attenuated low end for some types of music that I play.  Nearly every instrument I play these days has a low B, and it’s too attenuated for my tastes sometimes, especially with my Warwick Thumb (which already has kind of an attenuated sound to begin with). I can EQ beef back in via bass and amp, but it’s still not always what I’m looking for.  I recently heard my Genz ShuttleMAX 12.0 through a Genz cabinet and it was to die for (so I picked up a used Neox 212).  For smaller indoor stuff, I’ve been favoring an Aguilar DB112NT paired with my Acoustic Image Focus 2r Series III.

I rediscovered however one of the main things I love about the Schroeder’s; they kick ass outside.  Loud, clear, full, and great throw to the back row.  They’re so light that I can have both set up quickly, and with the AI head I’ve got 4×12″ at 1000W (2 ohm)…tons of headroom!  I also finally had my Ergo 5 string EUB dialed in since buying it.  Even front-ending it with a Fishman B-II preamp, the piezo equipped EUB needs quite a bit of gain to match an active electric bass, so the headroom is welcome.